Episode Description:
Johnny investigates a mysterious woman who
claims to be the lost daughter of Rev. Purdy, while Purdy has to deal with a past he's
tried to forget.
Episode Review:
Bruce: "A wealthy widow being taken in by
a charismatic man of god. It can't be all coincidence, John."
Gene was once a religious scam artist?
As Bruce so eloquently said, Purdy always has been "iffy." So I
guess it didn't surprise me that much that, when he was young and
cute, he was also a very bad boy. In a way, Purdy in his Reverend
Gold-Digger guise reminded me a bit of Greg Stillson.
This episode finally took off for me when the situation logically
expanded to include Gene's relationship with the late Vera Smith.
I've always believed Purdy loved Johnny's mother (remember what he
did for her in "The House"?) But whether or not Purdy conned Vera
Smith into giving him her wealth has always been debatable. I still
sorta think he did. Depends on your definition of "con," I suppose.
David Ogden Stiers got to me in the end when he told Johnny, "Clara
was the reason I turned to God. Your mother was my reward." He even
forgave Jessica for killing him, as it was happening. Purdy has made
a lot of mistakes in his life, but I honestly believe that he
believes, and that he's trying to atone.
Well, except we still don't know exactly what he promised Janus, and
how he fits into the coming Apocalypse.
Bits and pieces:
-- The desk clerk asking Johnny and Bruce to pose back to back for
her web site was fun. I also thought it was cute that Bruce, as
Johnny's best friend, is now semi-famous, too.
-- Finding all that important but obscure stuff for Johnny to touch
in order to keep the plot going was pretty farfetched. It started to
bother me. I mean, would you actually find carnival posters from the
sixties that easily? I don't think so.
-- Purdy just dedicated the new Vera Smith library. I'm down with
that. Libraries good.
-- This episode was directed by John L. Adams (Bruce). Not bad,
John. Gee, everyone is getting to direct this season.
-- Guest stars Eric Johnson and Sarah-Jane Redmond were both
Smallville alumni.
Three stars,
Billie
Bille Doux reviews episodes of 'The
Dead Zone' for her website.
She reviews individual
episodes of science fiction & cult TV shows
for her website, located at
http://www.billiedoux.com/
Behind The Scenes:
- But perhaps the most
startling revelation is that we all – staff, cast
and crew alike – got to discover what a great
director John L.
Adams could be! "Revelations" was John's
first time at the helm and he, with little prep
time, found himself pulling double duty in front and
behind the camera. We're very proud of him and how
this episode turned out.
In addition, our Production
Design team, led by
Lance King, pulled out all stops. Not only
did we build the set of the silo interior on our
sound stages, matching it to an existing farm
location, but actual aged wood was used for its
construction in order to bring authenticity to the
camera. An elaborate pump system was especially
created to pour the grain with safety the primary
concern; the system was rigged to allow the crew to
precisely control the flow of material over actor
David Ogden Stiers,
while simultaneously vacuuming it away to maintain
the desired, safe level. The results made for a
realistic and compelling action sequence.
-
Lloyd Segans Blog (08/06)
-
John [Adams] had done a lot of
shadowing over the past couple of years, hanging out
with me, watching different cuts being edited, just
observing. He really started off with the least
experience of all the actors in the show, but he
took it so seriously for so long in terms of his
character work and understanding the filmmaking
process. He would hang out with the director of
photography and the script supervisor, he'd come to
production meetings and go out on location scouts
... from Rob Lieberman in the beginning all the way
through, John was always trying to absorb as much as
he could.
One thing John Adams is really
great at (and really loved doing) is going to
casting sessions. He'd love to sit in the sessions
and see what I and the director and the casting
agent liked in actors, to see how we picked them
based on their look, their age, their ability. It's
really a mix and match process and it's more
difficult when you're casting three different people
that exist in two different time periods, as John
had to do for "Revelations." I think John going to
the sessions helped him be a better actor, better at
auditioning and a better reader in terms of how to
break down scripts, but it certainly helped him cast
his own episode. - Shawn Piller's Blog (08/13)
-
You may be aware that
Michael Piller had an open door policy for
ideas. Many people came in and pitched, just like we
did two seasons ago. Paul Coyle
came in with the interesting idea about
Purdy's past coming back to haunt him. We
then came on board to flesh the story out.
What attracted us to the story was always the
strange and enigmatic character of Purdy. Who is he? What are his
real motives? Who was he before he became a man of the cloth? If we
can be shaped by an important event in our lives, then what was that
event and its ramifications for Reverend Purdy?
As a director, John L. Adams
definitely falls in the latter category. He's always been a gifted
member of The Dead Zone cast, but when we began to see dailies, we
were blown away at just how cinematic he made this episode feel. The
shots, as you may have noticed, were wide, epic and had a real movie
look to them. We really lucked out with John bringing his vision to
"Revelations," and hope he will direct more in the future. - Episode Writers
Shintaro Shimosawa & James Morris (08/13)
-
It was probably the beginning of
the Second Season when I approached the producers
and told them of my desire to direct and they gave
me some very insightful advice. Shawn Piller
said I should sit in the editing room as much as
possible; Lloyd Segan told me I
should try and shadow some directors; and so on and
so forth. I had a couple of conversations with
Robert Petrovicz, who made
everything wide open and available to me, as did
everybody. You know, I'm a very lovable guy, so no
one could deny me anything. Ha ha. But, no,
everybody said I could sit in the editing bays, and
follow the directors around. That's how it all
started.-
Director John L. Adams (08/13)
Cast & Crew:
Story by:
Paul Coyle and
Shintaro Shimosawa
& James Morris
Teleplay by:
Shintaro Shimosawa
& James Morris
Directed by:
John L. Adams
Guest Starring:
David Ogden Stiers (Reverend Purdy),
Sarah-Jane Redmond
(Jessica Simon), Beau
Starr (Edward Nolan),
Eric Johnson
(Young Gene Purdy),